It is early June 2020, for much of the world these are strange times.
Reverse Colonialism is a political performance in which four African Antwerpers try to tackle the difficult migration-integration dilemma. Their answer? A new country for African-Europeans and European-Africans, in which they determine the norms themselves. The search for this utopian state[…..]
We have never been modern is a work by dutch artists Lotte van den Berg and Daan ’t Sas and was presented at Oerol Festival in 2018. I was privileged to be part of this production in a very interesting[…..]
I work with video a lot and am always wondering how these small flashing lights captivate us, and how we become numb to this phenomena of persistence of vision that brings so many images to our minds in so many[…..]
Bodiless heads 2016
The first presentation of an ongoing collaboration between Pouya Ehsaei and Fred Rodrigues. This performance was presented at Set Festival (from Set Experimental Art Events setfest.org) in 2015. In this performance Pouya and Fred created a bidirectional feedback system where[…..]
Social fiction 1.0 2013.
Heavier than Air welcome you to the Human Underwater Adaptation Research Center.
Eye is an installation developed in 2014 for TADAEX (Tehran Annual Digital Art Exhibition)
Since 2010 I have been part of the dutch multimedia theatre collective PIPS:lab.
A collaboration with Iranian choreographer Setareh Irani and Hungarian performer Olivia Rechovsky.
An SMS powered interactive music performance.
The Heavy Metal Work Orchestra, a computer controlled ensemble of power tools and appliances.